This page is designed to help you ensure your submission is ready for and fits the scope of Journal of British and Irish Innovative Poetry.
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The Journal of British and Irish Innovative Poetry centres on the poetic writings that have appeared in Britain and Ireland since the late 1950s under various categorizations. These include works that are avant-garde, underground, linguistically innovative, second-wave Modernist, non-mainstream, the British Poetry Revival, the parallel tradition, formally innovative, neo-modernist and experimental, while also including the Cambridge School, the London School, concrete poetry, and performance writing. All of these terms have been variously adopted and contested in anthologies and the journal extends scholarly discussion of the ongoing importance of innovative poetic styles and techniques within British and Irish literature.Focus and Scope for Journal of British and Irish Innovative Poetry
Scott Thurston, University of Salford, and Gareth Farmer, University of Bedfordshire, are the editors for the Journal of British and Irish Innovative Poetry. Vicky Sparrow, Birkbeck, is the Reviews editor. The journal centres on the poetic writings that have appeared in Britain and Ireland since the late 1950s under various categorizations: for example avant-garde, underground, linguistically innovative, second-wave Modernist, non-mainstream, the British Poetry Revival, the parallel tradition, formally innovative, neo-modernist and experimental, while also including the Cambridge School, the London School, concrete poetry, and performance writing. All of these terms have been variously adopted and contested by anthologies such as Children of Albion (1969), A Various Art (1987), The New British Poetry (1988), Floating Capital (1991), Conductors of Chaos (1996), Out of Everywhere(1996), Foil (2000), Anthology of British and Irish Poetry (2001) and Vanishing Points (2004).
The Journal of British and Irish Innovative Poetry was previously published by Gylphi Ltd. Volumes 1-6 are available here (subscription required): http://www.gylphi.co.uk/journals/InnovativePoetry/Submission Checklist
As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.
Authors who publish with this journal agree to the following terms:
Journal of British and Irish Innovative Poetry allows the following licences for submission:
This journal is published by the Open Library of Humanities. Unlike many open-access publishers, the Open Library of Humanities does not charge any author fees. This does not mean that we do not have costs. Instead, our costs are paid by an international library consortium.
If your institution is not currently supporting the platform, we request that you ask your librarian to sign up. The OLH is extremely cost effective and is a not-for-profit charity. However, while we cannot function without financial support and we encourage universities to sign up, institutional commitment is not required to publish with us.Peer Review
All articles submitted tothe Journal of British and Iritish Innovative Poetry are initially assessed by one of the co-editors, who decides whether or not the article is suitable for peer review. Submissions considered suitable for peer review are assigned to one or more independent experts, who assess the article for clarity, validity, and sound methodology.
The Journal of British and Iritish Innovative Poetry operates a double-blind peer review process, meaning that authors and reviewers remain anonymous for the review process. The review period is expected to take up to two months. Reviewers are asked to provide formative feedback, even if an article is not deemed suitable for publication in the journal.
Based on the reviewer reports the editor will make a recommendation for rejection, minor or major revisions, or acceptance. Overall editorial responsibility rests with Scott Thurston, who is supported by co-editor Gareth Farmer and an expert, international Editorial Board.
Special issues (referred to as 'Special Collections') will be handled in exactly the same way, except for those based on conference proceedings, which will normally be single-blind peer reviewed. The work of the co-editors and editorial board will be additionally supported by the appointment of one or more guest editors of the special issue.Publication Cycle
The journal is published online as a continuous volume and issue throughout the year. Articles are made available as soon as they are ready to ensure that there are no unnecessary delays in getting content publically available.
Special collections of articles are welcomed and will be published as part of the normal issue, but also within a separate collection page.Sections