Articles

'Allowing one's metaphors to mix': Performances and Perspectives at the Peter Manson Symposium

Maria Sledmere and Denise Bonetti

2019-02-04 Volume 11, Issue 1

Projectivisms >> Symposium Way-making the Contemporary Projective, University of Cardiff, 8th–9th May 2018
Projectivisms >> Symposium Way-making the Contemporary Projective, University of Cardiff, 8th–9th May 2018

Andrew Jeffrey

2018-09-19 Volume 10, Issue 1

‘Linguistically Wounded’: Veronica Forrest-Thomson, Sylvia Plath, and the Limits of Poetic Artifice
‘Linguistically Wounded’: Veronica Forrest-Thomson, Sylvia Plath, and the Limits of Poetic Artifice

Anna Moser

2018-09-10 Volume 10, Issue 1

Poetry and Secrecy
Poetry and Secrecy

Jo Walton and Ed Luker

2018-08-03 Volume 10, Issue 1

Book Reviews
Book Reviews

Gareth Stuart Farmer and Sally-Shakti Willow

2018-06-04 Volume 10, Issue 1

Secreting Blackness in the Poetry of D.S. Marriott
Secreting Blackness in the Poetry of D.S. Marriott

Nisha Ramayya

2018-05-23 Volume 10, Issue 1

Grave Police Music: On Bill Griffiths
Grave Police Music: On Bill Griffiths

Luke Roberts

2018-05-23 Volume 10, Issue 1

Poetry and Secrecy in Luke Roberts’ To My Contemporaries
Poetry and Secrecy in Luke Roberts’ To My Contemporaries

David Grundy

2018-05-09 Volume 10, Issue 1

Peter Manson’s Language Surfaces
Peter Manson’s Language Surfaces

Tom Betteridge

2018-05-09 Volume 10, Issue 1

‘I Don’t Talk to the Police Except Never’: Anna Mendelssohn, Tom Raworth, and Anti-Confessional Life Writing
‘I Don’t Talk to the Police Except Never’: Anna Mendelssohn, Tom Raworth, and Anti-Confessional Life Writing

Jordan Kay Savage

2018-05-09 Volume 10, Issue 1