The Journal of British and Irish Innovative Poetry centres on the poetic writings that have appeared in Britain and Ireland since the late 1950s under various categorizations. These include works that are avant-garde, underground, linguistically innovative, second-wave Modernist, non-mainstream, the British Poetry Revival, the parallel tradition, formally innovative, neo-modernist and experimental, while also including the Cambridge School, the London School, concrete poetry, and performance writing. All of these terms have been variously adopted and contested in anthologies and the journal extends scholarly discussion of the ongoing importance of innovative poetic styles and techniques within British and Irish literature.
We are seeking papers for a special issue dedicated to the work of Sean Bonney (1969-2019). The author of numerous pamphlets and full-length collections, including Our Death (2019), Letters against the Firmament (2015), Happiness (2011), The Commons (2011), Document (2008), Baudelaire in English (2007) and Blade Pitch Control Unit (2005), Bonney was a crucial part of [...]
We are delighted to publish the first article in our special collection based on the symposium ‘Peter Larkin: Poetry, Phenomenology, and Ecology’ which took place at the University of Warwick on 26th of April 2017. It is guest edited by Professor Emma Mason of the University of Warwick. A report detailing the symposium by Gabriel James de Sousa was published in Volume 11, Issue 1, 2019. The first [...]