Scott Thurston, University of Salford, and Gareth Farmer, University of Bedfordshire, are the editors for the Journal of British and Irish Innovative Poetry. Vicky Sparrow, Birkbeck, is the Reviews editor. The journal centres on the poetic writings that have appeared in Britain and Ireland since the late 1950s under various categorizations: for example avant-garde, underground, linguistically innovative, second-wave Modernist, non-mainstream, the British Poetry Revival, the parallel tradition, formally innovative, neo-modernist and experimental, while also including the Cambridge School, the London School, concrete poetry, and performance writing. All of these terms have been variously adopted and contested by anthologies such as Children of Albion (1969), A Various Art (1987), The New British Poetry (1988), Floating Capital (1991), Conductors of Chaos (1996), Out of Everywhere(1996), Foil (2000), Anthology of British and Irish Poetry (2001) and Vanishing Points (2004).
The Journal of British and Irish Innovative Poetry was previously published by Gylphi Ltd.
This journal provides immediate access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Authors of published articles remain the copyright holders and grant third parties the right to use, reproduce, and share the article according to a Creative Commons license agreement.
One of the benefits of open access publishing lies in others being able to re-use material. We believe that the greatest societal good is possible when people are free to re-distribute scholarship and to create derivative works. This is why we recommend the CC BY 4.0 license, under which others may re-use your work, on condition that they cite you.
If you wish to use a more restrictive license, which we do not advise, please indicate your choice in the submission form as a note to the editor when prompted, stating your preference from CC BY-SA, CC BY-NC, CC BY-ND, CC BY-NC-SA, CC BY-NC-ND. SA ('sharealike') means that others must impose the same license on their derivatives. NC ('non-commercial') means that the work may only be used for non-commercial purposes. Please note that this may mean that those within the university cannot re-use your work for teaching. ND ('no-derivatives') means that others may not modify your work. This could prevent larger portions from being included in course packs or for those in the digital humanities to use your work.
The journal's publisher, the Open Library of Humanities, focuses on making content discoverable and accessible through indexing services. Content is also archived around the world to ensure long-term availability.
Open Library of Humanities journals are indexed by the following services:
In addition, all journals are available for harvesting via OAI-PMH.
If the journal is not indexed by your preferred service, please let us know by emailing firstname.lastname@example.org or alternatively by making an indexing request directly with the service.